VOL 38: HORROR

Dear Readers,

We offer up FOLIO’s very first all-Horror issue. In the wake of COVID, political upheaval, and natural disaster, we are encouraged by the breadth of imagination, heartened by the spirit of creatives coming together to create dark, magical things with life of their own. In this issue, contributors share terrorizing stories, creative essays that give us the creepy-crawlies, poems and art which inspire fear and disgust.

Our Art Editor’s Prize winner is “A Large Spread in the Garden” by Brittany Fanning, a piece depicting a twilit feast. With its smorgasbord of indulgence, we imagine this as Prince Prospero’s table upon the Red Death’s arrival. At a time where wealth is at its most disparate, gratuitous materialism becomes all the more vulgar, while the bottom 99% are cast aside.

Our Nonfiction Editor’s Prize winner is “Who’s at Your Poetry Reading?” by Lori Negridge Allen, a piece which satirizes literary readings and also gives space for writers to create their monsters. The Poetry Editor’s Prize winner is “Do you remember the den, Little Rabbit?” by Kalie Pead, a poem which explores the urge to be consumed by what will destroy us through one’s own agency, as well as the inertia of fate. The Fiction Editor’s Prize winner is “Faltering Weight” by Christine Boyer, which reveals a horrifyingly honest portrayal of motherhood as unglamorous, feral, and dissociative.

The critically acclaimed author, Melissa Broder, spoke to FOLIO about her latest poetry collection, Superdoom (Tin House, 2021) and novel, Milk Fed (Scribner, 2021). Both works explore the quotidian horrors of queerness, consumption, and shame. Broder sits her reader down face-to-face with their most intimate desires and fears. We hope you can find inspiration and solace while discovering the “and-ness of life” for yourself.

We are sure this issue has a little something for everyone. It is brought to you by the tireless efforts of our passionate AU Creative Writing MFA student staff under the valuable direction of Professor David Keplinger. We hope you enjoy the hair-raising tales that lie ahead.

Thank you for reading,

Lindsay Forbes Brown, Editor-In-Chief

Micaela Burgess, Managing Editor

FICTION

  • John Schellhase's "I Am the Shadow"

    There were only a few things he remembered from before that day. One was him and Holly in the bath. Their mother had given them a pack of foam letters. It had the letters A to Z and the numbers zero to nine, all in bright colors like a bag of Skittles. He was five, Holly six. Someone— Holly, their mother?—wrote, DAVE IS NO 1, on the pale tile of the bathroom wall.

  • Lucy Zhang's "Replacement"

    Hao played guzheng even though you could hardly make out any of the notes from vehicles rolling past or the local vendors touting their soy milk as the “freshest on the street.” Still, I liked to watch Hao pluck and strum the strings like he could extract secrets from the hollow box.

  • Christine Boyer's "Faltering Weight"

    Emma twists the thin band of gold around her finger and eases it over her swollen knuckle to drop into the pocket of her cardigan. She dips her hand in the kitchen sink to test the water’s temperature. The sharp lemon of the dish detergent prickles against her nose, and she plunges the greasy pan into the scalding water to soak.

  • Lauren Lee Smith's "The Playroom Ghost"

    There is a ghost in the playroom, but no one believes me. I doubt they even heard me suggest the idea, sensational though it was. My voice has become dull background noise, something to be ignored like the drone of a television commercial or the cacophonous hum of a barful of blathering strangers.

NONFICTION

  • Lori Negridge Allen's "Who's at Your Poetry Reading"

    I have attended more poetry readings than any horror-writing, non-poet alive. I have survived Snodgrass, Wilber, Gioa, Feinstein, Wakoski, Clampett, Auden, Leithauser, Cummings, Pinsky, Brodsky, Allen, Solter, Morgan, Strand, Peacock... still reasonably intact (if not necessarily unimpaired), and I consider myself somewhat of an expert on the subject.

  • Olivia Zaban's "Still Thinking"

    The sun had other plans that day. It usually watched over us when we trudged, but that afternoon it decided we were old enough and did not need a babysitter. If I looked closely enough, I could still see it peeking through the clouds. I suppose it still didn’t trust us completely. You stared up too, and I wondered if you were thinking about the clouds and if we should have gone trekking because I thought we should.

  • Kendra Marie Pintor's "We as Offerings"

    To say I never noticed the fangs would be a lie. I saw them on our very first date—if you could even call it that. We were at a backyard party, and you convinced me to make use of the moonlight. Our friends were drinking, laughter mingling with music, the air sweetened by cigarette smoke.

ART

Carella Keil: A Head Full of Flowers

Brittany Fanning: An Almost Albino Alligator and a Volcano

Edward Michael Supranowicz: Under a Blood Red Moon

Bub Bray: She Can't Find the Right Words

POETRY

  • Javier Sandoval's "From Your Forest Dog"

    Amor, the moon (your favorite silver, pocket mirror) isn’t above the black trees anymore.

  • C.H. Weihmann's "Ghost Describes Her Autopsy"

    in a language made for the living, I find there are no words for this: how it feels to be opened

  • Christine Perry's "Bestiary"

    Finding the dried dandelion still tucked behind my ear a week later. Remembering that to bite the stem tastes like poison

  • Ellen Sazzman's "Palindro(n)e's Sagas"

    unmanned inhuman a nail a head I am but an aerial vehicle packed with ordnance

  • Carson Wolfe's "Welcome to Your First Thanksgiving"

    Which one wears the dick? the husband asks, opening a Bud Light between his forearm and bicep.

  • Inna Effress' "Low Like Fog"

    We kept our eyes closed when we lathered our cunts with the harsh soap fashioned from human fat.

  • Jennifer Martelli's "Is there anything under that layer?"

    I fear suffocation and I fear snakes and once, in a movie, I saw a man with a python wrapped around his whole head—he couldn’t even scream.

  • Kalie Pead's "Do you remember the den, little rabbit?"

    How hands graze the body [no] Cold immediacy [yes] how fire strikes blooming cheeks [maybe] moths drawn to the flame [yes]

  • Caitlin Annette Johnson's "As Long as You Believe in Miracles"

    As long as you believe in miracles, you will craft clever little animals out of paper that came from a tree that once touched hands with god

  • Amelia Gorman's "Artificial Leeches"

    Necessity is a cruel goddess in a crystal laboratory. The bullet compass and sunflower phrenology spring from her mercury mirror.

  • Caitlin Annette Johnson's "Love Potion for a Closet Queer"

    Labradorite, charmed and braided into a bracelet. The beaded memory of our first kiss, the shame-sting of it, and how quickly we wiped our lips after.

  • Hollie Dugas' "The Anatomy of Trauma"

    There you are, in the mirror again looking back at me with your shiny twisted flesh.

  • Lisa Rhodes-Ryabchich's "Alien"

    The moon is my right lung— I see the fullness of its glowglobe, Its soft teeth sunken-in liké an ostrich egg—

  • John Blair's "This is How Afraid We Are"

    Give us the pitchy whine the mind of night that pulls at our nerves like a cat pulling at kitchen blinds gently

  • Kyung's "When my dissociation has a razored shadow"

    Tarot told me to stop splitting my self like a brick against the window. Splintered ask, as I whipped concrete brack into mirror

  • JD Scott's "Ghost Poem"

    There is a ghost in my apartment. I don’t mean to suggest that I am haunted in every sense of the word. Only that he is here.

  • Lisette Boer's "Eve's Incantation"

    The next time. You see me, I’ll dress in red. Call me Lady Lucifer, the devil’s next lover, collecting a bouquet from her audience

  • Paddy Qiu's "Lipsticked Boys*"

    We are running from a beast*, a hound slobbering upon the glass, void of restraint.